| Box |
Title |
Screenwriter |
Date |
| 1 |
A Man From Wyoming. Release dialogue script. |
Albert Shelby Le Vino and John V.A. Weaver |
1930 |
| 1 |
Anything Goes |
Not given |
1936 |
| 1 |
Blonde Trouble. Release dialogue script. |
Not given |
1937 |
| 1 |
Blonde Venus. Release dialogue script. |
Not given |
1932 |
| 1 |
Bluebeard's Eigth Wife. Release dialogue script. 2 copies. |
Not given
|
1938 |
| 1 |
Cradle Song. Release dialogue script. |
Not given |
1933 |
| 1 |
Dark Victory |
Casey Robinson |
probably 1938 |
| 10 |
Dark Victory. Part 1 final. 3 copies. |
Casey Robinson |
1938 |
| 10 |
Dawn Patrol. Revised final. |
Seton I. Miller and Dan Totheroh |
1938 |
| 10 |
Delusion. Final. 2 copies. Ray Milland written on front cover of one. Could be signature or note. |
Arthur Kober [written on title page] |
probably 1930's or 40's |
| 2 |
Desert Gold. Release dialogue script. |
Stuart Anthony and Robert Yost |
1936 |
| 10 |
Dracula. Continuity and dialogue. |
Not given |
1931 |
| 2 |
Dude Ranch. Release dialogue script. |
Percy Heath, Grover Jones and Lloyd Corrigan |
1931 |
| 2 |
Easy Living. Release dialogue script. |
Preston Sturges |
1937 |
| 10 |
Frankenstein. Continuity and dialogue. |
Not given |
probably 1931 |
| 2 |
Give Me Your Heart. Final. |
Casey Robinson |
1936 |
| 2 |
I'm No Angel. First white script. Paramount Studios stamp on cover. |
Mae West |
1933 |
| 2 |
Invitation to Happiness. Release dialogue script. |
Not given
|
1939 |
| 2 |
Jamaica Inn. Release dialogue script. |
Sidney Gilliat and Joan Harrison |
1939 |
| 11 |
Jesse James. 2 copies. Final. Stamped "only copy" on cover by 20th Century Fox. |
Nunnally Johnson |
1938 |
| 11 |
Juarez (The Phantom Crown). Part 1, final. |
John Huston, Aneas MacKenzie, Wolfgang Reinhardt, Abem Finkel |
1938 |
| 11 |
Libeled Lady. MGM "Vault Copy." |
Maurine Watkins and Howard Emmett Rogers |
1936 |
| 2 |
Love Me Tonight. First white script. Paramount Studios stamp on cover. |
Samuel Hoffenstein, Waldemar Young and George Marion, Jr. |
1932 |
| 2 |
Madame Racketeer. Release dialogue script. |
Malcolm Stuart Boylan and Harvey Gates |
1932 |
| 3 |
Madison Square Garden. Release dialogue script. |
Allen Rivkin and P.J. Wolfson |
1932 |
| 3 |
Murder on a Bridle Path. Auction slip enclosed: "a Xerox copy probably created around 1970. A lot of work for a nothing film. Mint condition." |
Dorothy Yost |
1936 |
| 3 |
Murder on the Blackboard. Cutting continuity. Auction slip enclosed: "Max Steiner war musical director on this film, and Walter Plunkett did the costumes. This is a studio xerox of the cutting continuity, created around 1970. Mint condition." |
Willis Goldbeck |
1934 |
| 11 |
Murders in the Rue Morgue |
Not given |
probably 1932 |
| 11 |
My Man Godfrey |
Not given |
probably 1936 |
| 11 |
My Man Godfrey. Release dialogue script. Continuity and dialogue master copy. |
Morrie Ryskind and Eric Hatch |
1936 |
| 12 |
One Way Passage |
Wilson Mizner and Joseph Jackson |
1932 |
| 12 |
Radio Patrol. Continuity and dialogue. |
Not given |
probably 1932 |
| 3 |
Rendezvous at Midnight |
Not given |
1934 |
| 12 |
Swing High, Swing Low. Release dialogue script. |
Virginia Van Upp and Oscar Hammerstein II |
1937 |
| 3 |
The Beachcomber. 2 copies. Release dialogue script. |
Bartlett Cormack |
1938 |
| 12 |
The Black Cat. Continuity and dialogue. |
Not given |
probably 1934 |
| 3 |
The Cat and the Canary. Release dialogue script. |
Walter DeLeon and Lynn Starling |
1939 |
| 3 |
The Crusades. Release dialogue script. |
Not given |
1935 |
| 12 |
The Garden of Allah. Dialogue and continuity. "American Version" and "Censorship Copy, Do Not Use" on front page. |
Not given |
probably 1936 |
| 12 |
The Great Impersonation |
Not given |
probably 1935 |
| 3 |
The Hatchet Man (aka The Honorable Mr. Wong). Final. |
J. Grubb Alexander |
1931 |
| 12 |
The House of Rothschild. Final. |
Not given |
1933 |
| 12 |
The King and Chorus Girl. "Burbank Calif. Story Library" printed on cover. |
Norman Krasna and Groucho Marx |
1936 |
| 4 |
The Magnificent Fraud. Release dialogue script. |
Gilbert Gabriel and Walter Ferris |
1939 |
| 12 |
The Mummy. Continuity and dialogue. Boris Karloff version. |
Not given |
probably 1932 |
| 4 |
The Old Fashioned Way. 2 copies. Original Paramount cover and stamp. |
Not given |
1934 |
| 4 |
The Old Maid. Parts 1, 2, 3 revised final. Photocopy (possibly from copy at USC). |
Casey Robinson |
1939 |
| 4 |
The Penquin Pool Murder. Cutting continuity. Auction slip enclosed: "A Xerox copy of the original cutting continuity. Mint condition." |
Willis Goldbeck |
1932 |
| 4 |
The Petrified Forest. Revised final. Auction slip enclosed: "A xerox script done by the studio around 1970." |
Not given |
1935 |
| 4 |
The Roaring Twenties. Continuity and dialogue. |
Jerry Wald, Richard Macaulay and Robert Rosson |
probably 1939 |
| 5 |
The Sisters. Dialogue transcript. |
Milton Krims |
1938 |
| 5 |
The Sisters. Revised final. |
Milton Krims |
1938 |
| 5 |
The Way to Love. Release dialogue script. |
|
1933 |
| 5 |
The Working Man. Final. |
Charles Kenyon |
1932 |
| 5 |
The World Moves On. Part 1 revised final. |
Jerry Wald and Richard Mccaulay |
1939 |
| 5 |
Tillie and Gus (or Odds are Even). First script. 2 copies. Original Paramount cover and stamp. |
Walter DeLeon and Francis Martin |
1933 |
| 12 |
Tower of London |
Not given |
1939 |
| 6 |
Union Pacific. Details shots and dialogue. |
Walter DeLeon, C. Gardner Sullivan, and Jesse Lasky, Jr. |
1939 |
| 6 |
We Shall Meet Again. Part 1 final. Note included w/ script "pgs. 78 and 79 missing in USC copy xeroxed from (scenes 111 through beginning of 116)" |
Warren Duff |
1939 |