| Box |
Title |
Screenwriter |
Date |
| 6 |
A Date With Destiny [released as The Mad Doctor]. Release dialogue script. |
Howard J. Green |
1940 |
| 6 |
Border Vigilantes |
J. Benton Cheney |
1941 |
| 6 |
Border Vigilantes. Release dialogue script. |
Not given |
1941 |
| 13 |
Bud Abbott and Lou Costello Meet Frankenstein. Continuity and dialogue. |
Not given |
1948 |
| 13 |
Calling Dr. Death. Annotated. |
Not given |
1943 |
| 13 |
Conflict. Part 1, 2nd revised final. |
Dwight Taylor |
1943 |
| 6 |
Danger Signal. Part 1, 2nd revised final. |
Adele Comandini and Graham Baker |
1945 |
| 13 |
Gentleman Jim. 3 copies. Final, part 1. |
Vincent Lawrence & Horace McCoy |
1942 |
| 6 |
Hard Bargain. 2 copies. Both incomplete. Revised. |
Not given |
1948 |
| 6 |
Hatter's Castle. Release script. |
A.J. Cronin |
probably 1942 |
| 7 |
Hold That Blonde!. 3 copies. Release dialogue script |
Walter DeLeon, Earl Baldwin and E. Edwin Moran |
1945 |
| 13 |
Illegal Entry. Revised. |
Joel Malone |
1948 |
| 14 |
Invisible Agent. Continuity and dialogue. |
Not given |
1942 |
| 14 |
It Started With Eve. Revised. "Marion Pecht" written on front cover. |
Not given |
1941 |
| 14 |
It's a Wonderful Life |
Swerling-Capra |
1946 |
| 14 |
It's a Wonderful Life. 2 copies. |
Not given |
probably 1946 |
| 7 |
June Bride. Dialogue transcript. |
Ranald MacDougall |
1948 |
| 14 |
Laura. Shooting final. |
Jay Dratler with revisions by Ring Lardner Jr., Samuel Hoffenstein and Betty Reinhardt |
1944 |
| 7 |
Magnificent Ambersons. Cutting continuity. |
Not given |
1942 |
| 14 |
Man Made Monster. File copy. Continuity and dialogue. |
Joseph West |
1941 |
| 15 |
My Little Chickadee. Continuity and dialogue. |
Not given |
1940 |
| 15 |
Never Give a Sucker and Even Break |
Not given |
1941 |
| 7 |
North West Mounted Police. Release dialogue script. |
Not given |
1940 |
| 7 |
Now Voyager. "English superimposed title sheet for the French version." Copy of a version signed by Bette Davis. |
Casey Robinson |
probably 1942 |
| 15 |
Old Acquaintance. 2 copies. Final. |
John Van Druten and Edmund Goulding |
1942 |
| 15 |
Phantom of the Opera. Continuity and dialogue. |
Not given |
1943 |
| 15 |
Pillow of Death |
Not given |
1945 |
| 15 |
Shadow of a Doubt. Continuity and dialogue. "Editorial office copy." |
Not given |
probably 1943 |
| 16 |
Stolen Life. Part 1, revised final. |
Catherine Turney |
1945 |
| 16 |
The Dark Passage. Final |
Delmer Daves |
1946 |
| 16 |
The Desert Song. Part 1 final. |
Robert Buckner |
1942 |
| 16 |
The End of the River. Continuity and dialogue. "Copied from English post-production script." |
Not given |
1948 |
| 16 |
The Great Lie (aka Far Horizon). Revised final. |
Not given |
1940 |
| 7 |
The Major and the Minor. 2 copies. Release dialogue script. |
Charles Brackett and Billy Wilder |
1942 |
| 16 |
The Mummy's Curse. Continuity and dialogue. |
Not given |
1944 |
| 16 |
The Mummy's Ghost |
Not given |
1943 |
| 16 |
The Mummy's Hand. Continuity and dialogue. |
Griffin Jay and Maxwell Shane |
1940 |
| 7 |
The Paleface. Release dialogue script. |
Not given |
1948 |
| 16 |
The River. Working script. |
Rumer Godden |
1949 |
| 7 |
The Rocking Horse Winner. Post production script. |
Not given |
1949 |
| 17 |
The Spoilers |
Not given |
1942 |
| 8 |
The Two Mrs. Carrolls. Final. |
Thomas Job |
1945 |
| 17 |
The Verdict. Part 1 final. |
Barre Lyndon and Peter Milne |
1945 |
| 17 |
Three Strangers. Part 1 revised final. |
John Huston and Howard Koch |
1944 |
| 8 |
To Each His Own. Copy of master copy from USC film library. |
Charles Brackett and Jacques Thery |
1945 |
| 17 |
To Have and Have Not. 2nd revised final. |
Jules Furthman |
1944 |
| 17 |
Weird Woman |
Not given |
1944 |
| 8 |
Where There's Life. Release dialogue script. |
Allen Boretz and Melville Shavelson |
1946 |
| 8 |
Winter Meeting. Final part 1. |
Catherine Turney |
1947 |
| 17 |
Wolf Man. 2 copies. Universal City Studios stamp on first page. |
Curt Siodmak |
1941 |
| 17 |
Young Man with a Horn. 2nd revised final. |
Carl Foreman |
1949 |