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Film and Television Movie Screenplay Collection. Series 1: Subseries D, E
Film and Television Movie Screenplay Collection. Series 1: Subseries D, E
Collection 102
Series 1. Screenplays. Subseries D: 1950s
Subseries size: 4 archival document boxes
Subseries dates: 1950-1959
This subseries contains screenplays for feature films from the 1950s. The version or draft of the screenplay is indicated in the title field where relevant.
| Box |
Title |
Screenwriter |
Date |
| 8 |
5 Against the House. First revision. Photocopy of a library copy (call number on 2nd page). |
Stirling Silliphant and John Barnwell |
1954 |
| 18 |
A Summer Place. Final. |
Delmer Daves |
1959 |
| 18 |
Against All Flags. 2 copies. Outline. |
Aeneas MacKenzie |
1950 |
| 18 |
Against All Flags. First draft continuity. |
Aeneas MacKenzie |
1950 |
| 18 |
Cattle Drive. 2 copies. Continuity and dialogue. |
Not given |
1951 |
| 8 |
Creature from the Black Lagoon. Master title list for foreign language versions. |
Not given
|
1954 |
| 18 |
Destry. Continuity and dialogue. |
Not given
|
1954 |
| 18 |
Forbidden Planet. 3 copies. MGM stamp in bottom corner. |
Not given
|
1954 |
| 19 |
Hot Spell (Next of Kin). Revised final white. Photocopy of USC library copy. |
James Poe |
1957 |
| 19 |
House Party. First draft. Universal central files stamp on cover. |
Robert Hill |
1955 |
| 19 |
Invaders |
John Tucker Battle and Rosemary Battle |
1950 |
| 19 |
Invaders from Mars |
John Tucker Battle |
probably 1953 |
| 19 |
It Came from Outer Space. Continuity and dialogue. |
Not given |
1953 |
| 19 |
It Should Happen to You. Final. From legal files at Columbia Pictures. |
Garson Kanin |
1953 |
| 19 |
Madeleine. Continuity and dialogue. |
Not given |
1950 |
| 19 |
Only the Valiant. Final. |
Edmund H. North and Harry Brown |
1950 |
| 20 |
Rebel Without a Cause. Final part 1. |
Stewart Stern |
1955 |
| 20 |
The Breaking Point. 2nd rev. final. |
Ranald MacDougall |
1950 |
| 20 |
The Cain Mutiny. Final draft. From Columbia Picture central files |
Stanley Roberts |
1953 |
| 20 |
The Crimson Pirate. 3 copies. Revised final for England. |
Roland Kibbee |
1951 |
| 20 |
The Day the Earth Stood Still. 2 copies. Revised final. 20th Century Fox stamp in corner. |
Edmund H. North |
1951 |
| 21 |
The Harder They Fall. 2 copies. Revised final. |
Philip Yordan |
1955 |
| 21 |
The Sundowners. 2 copies. Final. |
Isobel Lennart |
1959 |
| 21 |
The Thing. First draft. Says "Please Return to RKO Story Files." |
Not given |
1950 |
| 21 |
Twelve Angry Men. Incomplete, missing pages at beginning and end. |
Not given |
probably 1957 |
| 8 |
Witness for the Prosecution. List of superimposing instructions, action description, and English master titles |
Not given |
1958 |
| 8 |
Witness for the Prosecution. Photocopy. File includes notes from whoever was researching the script. |
Billy Wilder and Harry Kurnitz |
1957 |
Collection 102
Series 1. Screenplays. Subseries E: 1960s
Subseries size: 4 archival document boxes
Subseries dates: 1960-1969
This subseries contains screenplays for feature films from the 1960s. The version or draft of the screenplay is indicated in the title field where relevant.
| Box |
Title |
Screenwriter |
Date |
| 22 |
Angel Baby. Revision. |
Orin Borsten and Sam Roeca |
1960 |
| 22 |
Barbarella |
Not given |
probably 1968 |
| 22 |
Breakfast at Tiffany's. Copy of annotated version with Hepburn's notes. TM 1994 by Paramount and estate of Audrey Hepburn (on back cover). |
Not given |
1960 |
| 22 |
Bye Bye Braverman |
Herbert Sargent |
probably 1968 |
| 22 |
Freud. Revised final. |
John Huston and Wolfgang Reinhardt |
1962 |
| 22 |
Guess Who's Coming to Dinner |
William Rose |
1967 |
| 22 |
Harold |
David Swift |
probably post 1966 |
| 23 |
I Love You, Alice B. Toklas! Final. |
Paul Mazursky and Larry Tucker |
1967 |
| 23 |
Nightmare. Release script. |
Not given |
1963 |
| 23 |
Petulia |
Larry Marcus [Lawrence B. Marcus] |
1967 |
| 23 |
Pretty Poison (fka She Let Him Continue). First draft. |
Stephen Geller |
1966 |
| 23 |
Rachel, Rachel (aka A Jest of God). Final. |
Stewart Stern |
1967 |
| 24 |
Rosemary's Baby. First page missing. |
Not given |
1967 |
| 24 |
The Dirty Dozen. File copy. |
Nunnally Johnson and Lukas Heller |
1966 |
| 24 |
The Great White Hope. first draft. Stamped "permanent file" on cover. |
Howard Sackler |
1969 |
| 24 |
The Longest Day. 2nd revised version. |
Cornelius Ryan |
1961 |
| 25 |
The Naked Brigade. Continuity and dialogue. |
Not given |
1965 |
| 8 |
The Only Game in Town. Revised first draft. Auction slip enclosed: "This "Revised First Draft" was Xereoxed by the studio around 1970. Bit wear on cover; otherwise mint." |
Frank D. Gilroy |
1968 |
| 25 |
The Sergeant. Shooting script. |
Dennis Murphy |
1967 |
| 9 |
Thoroughly Modern Millie |
|
1967 |
| 25 |
Up the Down Staircase. 3 copies. Final. |
Tad Mosel |
1966 |
| 25 |
Valley of Gwangi |
William E. Bast |
probably 1969 |
| 25 |
Who's Afraid of Virginia Woolf? Writer's Guild of America teaching draft. |
Ernest Lehman |
1965 |