| Box |
Title |
Screenwriter |
Date |
| 42 |
Airheads. 2 copies. Different drafts. |
Rich Wilkes |
1993 |
| 42 |
Airheads. Revised draft. |
Rich Wilkes |
1992 |
| 42 |
Alien 3 |
Walter Hill and David Giler |
1991 |
| 42 |
Alien 3 |
|
1990 |
| 42 |
Alien 3. Revised first draft. Rewrite based on Hill and Giler story. |
William Gibson |
probably 1992 |
| 42 |
Alien 3. Second draft revised. |
John Fasano |
1990 |
| 42 |
Alien Resurrection. First draft. |
Joss Whedon |
1995 |
| 42 |
Alien Resurrection. Revised draft. |
Joss Whedon |
1996 |
| 43 |
An American Werewolf in Paris |
Anthony Waller |
1995 |
| 43 |
Article 99. 3 copies. |
Ron Cutler |
probably 1991 |
| 43 |
Article 99. Final Script. |
Ron Cutler |
1991 |
| 43 |
As Good As It Gets. 2 copies. Revised shooting script. |
Mark Andrus and James L. Brooks |
1997 |
| 43 |
Bicentennial Man. Final. Autographed by Kazan. |
Nicholas Kazan |
probably 1999 |
| 43 |
Bio-Dome! 2 copies. Second draft. One copy annotated and highlighted. |
Kip Koenig and Scott Marcano |
1994 |
| 44 |
Bones. Annotated. |
Adam Simon & Tim Metcalfe |
1999 |
| 44 |
Charlie [released as Chaplin] |
William Boyd |
1991 |
| 44 |
Charlie [released as Chaplin]. Annotated. |
William Boyd |
1991 |
| 44 |
Charlie [released as Chaplin]. Annotated. |
William Boyd |
1991 |
| 44 |
Charlie [released as Chaplin]. Second draft. |
Bryan Forbes |
1990 |
| 44 |
Christopher Columbus, The Discovery. Final. |
Cary Bates based on a screenplay by Mario Puzo and John Briley |
1992 |
| 44 |
City by the Sea. Annotated. |
Ken Hixon |
1998 |
| 45 |
Darkman 2 |
Lawrence Hertzog |
probably 1995 |
| 45 |
Darkman 2. Revised |
Michael Colleary and Mike Werb revised by Mark Verheiden |
1993 |
| 45 |
Darkman 2. Revised draft. |
Michael Colleary and Mike Werb revised by Mark Verheiden |
1993 |
| 45 |
Darkman 3: Durant Returns. Second draft. |
Steven McKay |
1994 |
| 45 |
Dead Reckoning. Third revision. |
Christine Roum |
1993 |
| 45 |
Destiny Turns on the Radio. Revised. |
Robert Ramsey and Matthew Stone |
1994 |
| 45 |
Dr. Jekyll and Mr. Hyde |
David Mamet |
1999 |
| 45 |
Dragonheart. Revised. |
Charles Edward Pogue |
1994 |
| 45 |
Dudley Do-Right |
Andrew Burg and Scott Meyers |
1996 |
| 45 |
Dumb and Dumber. Polished draft. |
Peter Farrelly, Bennett Yellin and Bob Farrelly |
1993 |
| 46 |
Four Rooms. Shooting script. |
Allison Anders, Alexandre Rockwell, Robert Rodriguez, Quentin Tarantino |
1994 |
| 46 |
Gattaca. Possible autograph on front cover. |
Andrew Niccol |
probably 1997 |
| 46 |
Head Above Water |
Michael Blake |
1995 |
| 46 |
Hercules and Xena |
John Loy |
1996 |
| 46 |
Highlander II |
Peter Bellwood, William Panzer, Brian Clemens |
probably 1991 |
| 46 |
Household Saints. 2 copies. |
Nancy Savoca and Richard Guay |
1991 |
| 46 |
Imaginary Crimes. Signed by "William G. Schilling, Mr Gratelli." |
Kristine Johnson and Davia Lee Nelson |
1991 |
| 46 |
Jumanji. Second draft revised. |
Jonathan Hensleigh |
1994 |
| 47 |
Killer Sam aka Josh and S.A.M. |
Frank Deese |
1992 |
| 47 |
Killing Zoe. Annotated. |
Roger Roberts Avary |
1992 |
| 47 |
Killing Zoe. Third draft. |
Roger Roberts Avary |
probably 1993 |
| 47 |
L.A. Confidential. 2 copies. Revised draft. |
Brian Helgeland and Curtis Hanson |
1996 |
| 47 |
Lethal Weapon 4. Bound copy with photocopies of cast signatures on first page. |
Channing Gibson |
probably 1998 |
| 47 |
Liar Liar. Third draft. |
Paul Guay and Stephen Mazur |
1995 |
| 47 |
Little Indian, Big City (An Indian in the City) [released as Jungle 2 Jungle]. 2 copies. |
Bruce A. Evans and Raynold Gideon |
1996 |
| 9 |
Look Who's Talking Too. Master english subtitle, spotting list. |
|
1990 |
| 48 |
Mars Attacks! Fifth draft revised. |
Jonathan Gems rewritten by Scott Alexander and Larry Karaszewski |
1995 |
| 48 |
Men of Honor. First draft. |
Scott Smith |
1995 |
| 48 |
Mimic. Third revision. |
Matt Greenberg & Guillermo del Toro |
1996 |
| 48 |
Mo Money. Third draft, second revision. |
Damon Wayans |
1991 |
| 48 |
My Best Friend's Wedding. Shooting script. Signed by Bass. |
Ronald Bass |
1996 |
| 48 |
Pleasantville |
Gary Ross |
1997 |
| 48 |
Presumed Innocent. No title page. |
|
probably 1990 |
| 48 |
Primary Motive. Revised draft. |
Daniel Adams and William Snowden |
1990 |
| 49 |
Sleepers. Signed by Levinson. |
Barry Levinson |
1995 |
| 49 |
Sleepless in Seattle. 2 copies. |
Jeff Arch rewrite by David S. Ward |
1991 |
| 49 |
Some Mother's Son. Production draft. Signed by Sheriden and George. |
Terry George and Jim Sheriden |
1995 |
| 49 |
Somebody to Love. Revised. |
Sergei Bodrov and Alexandre Rockwell |
1993 |
| 49 |
Strange Days. 2 copies. |
James Cameron and Jay Cocks |
1993 |
| 50 |
Striking Distance (aka Three Rivers) |
|
1992 |
| 50 |
Super Mario Brothers. First draft. |
Tom S. Parker and Jim Jennewein |
1991 |
| 50 |
Super Mario Brothers. Revised draft. |
Barry Morrow revised by Tom S. Parker and Jim Jennewein |
1991 |
| 50 |
Suture |
Scott McGehee and David Siegel |
probably 1994 |
| 50 |
Suture |
Scott McGehee and David Siegel |
1992 |
| 50 |
Swordfish |
Skip Woods |
1999 |
| 50 |
Thank You and Good Night. Revised. Documentary. |
Jan Oxenberg |
1990 |
| 50 |
The Babysitter. Fourth draft. Annotated. |
Guy Ferland |
1993 |
| 51 |
The Cable Guy. 2 copies. Fourth draft. |
Judd Apatow |
1995 |
| 51 |
The Cuckold's Clock |
Preston Sturges |
1997 |
| 51 |
The Doors. Third draft. |
Oliver Stone |
1990 |
| 51 |
The End of Violence. First shooting draft. |
Nicholas Klein |
1996 |
| 51 |
The Fairy Godbrothers |
Craig Mazin and Greg Erb |
1998 |
| 51 |
The Glimmer Man |
Kevin Brodbin |
1995 |
| 51 |
The Glimmer Man |
Kevin Brodbin rewrite by Michael Stinson |
1995 |
| 52 |
The Hand of God. Rewrite. |
Michael Chiklis and Dan McDuffie |
1990 |
| 9 |
The Legend of Wolf Mountain. Combined continuity script. |
|
probably 1992 |
| 52 |
The Power of One. Revised first draft. |
Robert Mark Kamen |
1990 |
| 52 |
The Santa Clause |
Leo Benvenutie and Steve Rudnick |
1992 |
| 52 |
The Santa Clause |
Leo Benvenuti and Steve Rudnick |
1994 |
| 52 |
The Taking of Beverly Hills. Revised. |
Rick Natkin and David Fuller, rewritten by David J. Burke |
1990 |
| 52 |
The Talented Mr. Ripley. 2 copies. Oscar "for your consideration" draft. |
Anthony Minghella |
1999 |
| 52 |
The Thirteenth Floor. Revised second draft. |
Maureen Mahon and Nicholas Monahan |
1995 |
| 53 |
Washington Square. 2 copies. Signed by Doyle. |
Carol Doyle |
probably 1997 |
| 53 |
Where Sleeping Dogs Lie. Rewrite. Annotated. |
Charles Finch and Yolande Turner |
1990 |
| 53 |
Where the Day Takes You |
Michael Hitchcock, rewrite by Kurt Voss |
probably 1992 |
| 53 |
Where the Day Takes You. Draft. |
Michael Hitchcock |
1990 |
| 53 |
Where the Day Takes You. Revised. |
Michael Hitchcock and Kurt Voss, rewrite by Marc Rocco |
1991 |
| 53 |
While You Were Sleeping |
Dan Sullivan and Fred Lebow |
1994 |
| 53 |
While You Were Sleeping |
Dan Sullivan and Fred Lebow |
1994 |
| 53 |
While You Were Sleeping |
Dan Sullivan and Fred Lebow |
1994 |
| 54 |
White Man's Burden |
Desmond Nakano |
probably 1994 |
| 54 |
White Man's Burden. Draft. |
Desmond Nakano |
1994 |
| 54 |
White Man's Burden. Second draft. |
Desmond Nakano |
1994 |
| 54 |
White Men Can't Jump. First draft. |
Ron Shelton |
1991 |
| 54 |
White Sands. Draft. |
Daniel Pyne |
1990 |
| 55 |
Wild Bill. 3 copies. Different drafts. |
Walter Hill |
1994 |
| 55 |
Wishmaster |
Peter Atkins |
1996 |
| 55 |
Wrestling Ernest Hemingway |
Steve Conrad |
1992 |
| 55 |
Wrongfully Accused. Revised. |
Pat Proft |
1997 |